This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library), a growing online collection of high-quality, digital art images from over 20 museums around the world.
www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
- Cultures and time periods represented
range from contemporary art, to ancient Greek, Roman, and Egyptian works.
- Types of works include paintings, drawings,
watercolors, sculptures, costumes, jewelry, furniture, prints, photographs,
textiles, decorative art, books and manuscripts.
Gain access to this incredible resource through either a
monthly or a yearly subscription and search the entire collection from
your desktop, compare multiple images side by side and zoom into the minute
details of the images. Visit www.davidrumsey.com/amica
for more information on the collection, click on the link below the
revolving thumbnail to the right, or email us at firstname.lastname@example.org
Creator Name: Close, Chuck
Creator Nationality: North American; American
Creator Role: painter
Creator Dates/Places: b. 1940
Creator Name-CRT: Chuck Close
Creation Start Date: 1969
Creation End Date: 1969
Creation Date: 1969
Object Type: Paintings
Classification Term: oil on canvas
Materials and Techniques: acrylic on canvas
Dimensions: H.108 x W.84 x D 3 in.
AMICA Contributor: The Minneapolis Institute of Arts
Owner Location: Minneapolis, Minnesota, USA
ID Number: 69.137
Credit Line: The John R. Van Derlip Fund
The model for this painting was not Frank himself but rather an 8 x 10-inch photograph of him. In the 1960s, Chuck Close photographed his subjects and then meticulously copied the photographic images, in paint, onto large canvases. With this painstaking technique, he preserved the objectivity of photography. Close also simulated the way the camera, like the human eye, focuses on one area at a time, leaving other areas blurred. By these means, he directed our attention to some intriguing aspects of visual perception.
A work of such grand scale--typical of American painting after 1950--is unsettling, particularly when it features a colossal human head. "The large scale," Close explained, "forces the viewer to read the surface of the painting differently...[to] look at it piece by piece." The details, then, can be perceived either as facial pores and hairs or as an abstract pattern of black, gray, and white.
Related Multimedia Description: Antenna Audio: Permanent Collection Tour
Link to Multimedia: MIA_.AA200103.23.mp3
AMICA ID: MIA_.69.137
Component Measured: overall
Measurement Unit: in
AMICA Library Year: 2000
Media Metadata Rights:
?The Minneapolis Institute of Arts
AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.
Copyright © 2007 Cartography Associates.
All rights reserved.