This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library), a growing online collection of high-quality, digital art images from over 20 museums around the world.
www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
- Cultures and time periods represented
range from contemporary art, to ancient Greek, Roman, and Egyptian works.
- Types of works include paintings, drawings,
watercolors, sculptures, costumes, jewelry, furniture, prints, photographs,
textiles, decorative art, books and manuscripts.
Gain access to this incredible resource through either a
monthly or a yearly subscription and search the entire collection from
your desktop, compare multiple images side by side and zoom into the minute
details of the images. Visit www.davidrumsey.com/amica
for more information on the collection, click on the link below the
revolving thumbnail to the right, or email us at email@example.com
Creator Name: Dürer, Albrecht
Creator Nationality: European; Northern European; German
Creator Role: engraver
Creator Dates/Places: German, 1471-1528
Creator Name-CRT: Made by Albrecht Dürer
Title: Adam and Eve
View: Full View
Creation Start Date: 1504
Creation End Date: 1504
Creation Date: 1504
Object Type: Prints
Materials and Techniques: engraving
Dimensions: 9 7/8 x 7 7/8 in. (25.1 x 20.0 cm)
AMICA Contributor: The Metropolitan Museum of Art
Owner Location: New York, New York, USA
ID Number: 19.73.1
Credit Line: Fletcher Fund, 1919
Throughout his life Dürer was in thrall to the idea that the perfect human form corresponded to a system of proportion and measurements and could be generated by using such a system. Near the end of his life he wrote several books codifying his theories: the 'Underweysung der Messung' (Manual of measurement), published in 1525, and 'Vier Bücher von menschlichen Proportion' (Four books of human proportion), published in 1528, just after his death.
Dürer's fascination with ideal form is manifest in 'Adam and Eve.' The first man and woman are shown in nearly symmetrical idealized poses: each with the weight on one leg, the other leg bent, and each with one arm angled slightly upward from the elbow and somewhat away from the body. The figure of Adam is reminiscent of the Hellenistic Apollo Belvedere, excavated in Italy late in the fifteenth century. The first engravings of the sculpture were not made until well after 1504, but Dürer must have seen a drawing of it.
Dürer was a complete master of engraving by 1504: Human and snake skin, animal fur, and tree bark and leaves are rendered distinctively. The branch Adam holds is of the mountain ash, the Tree of Life, while the fig, of which Eve has broken off a branch, is the forbidden Tree of Knowledge. Four of the animals represent the medieval idea of the four temperaments: the cat is choleric, the rabbit sanguine, the ox phlegmatic, and the elk melancholic.
AMICA ID: MMA_.19.73.1
AMICA Library Year: 2000
Media Metadata Rights:
Copyright The Metropolitan Museum of Art
AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.
Copyright © 2007 Cartography Associates.
All rights reserved.