This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library), a growing online collection of high-quality, digital art images from over 20 museums around the world.
www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
- Cultures and time periods represented
range from contemporary art, to ancient Greek, Roman, and Egyptian works.
- Types of works include paintings, drawings,
watercolors, sculptures, costumes, jewelry, furniture, prints, photographs,
textiles, decorative art, books and manuscripts.
Gain access to this incredible resource through either a
monthly or a yearly subscription and search the entire collection from
your desktop, compare multiple images side by side and zoom into the minute
details of the images. Visit www.davidrumsey.com/amica
for more information on the collection, click on the link below the
revolving thumbnail to the right, or email us at firstname.lastname@example.org
Creator Nationality: Asian; Middle Eastern; Ayyubid
Creator Dates/Places: Syrian or northern Mesopotamian (Jazira)
Creator Name-CRT: Ayyubid
Title: Cylindrical Box
View: Principal view
Creation Start Date: 1225
Creation End Date: 1250
Creation Date: ca. 1225?1250
Object Type: Decorative Arts and Utilitarian Objects
Materials and Techniques: Brass with silver inlay
Dimensions: H. 4 1/8 in. (10.5 cm), Diam. 4 1/8 in. (10.5 cm)
Description: Cylindrical lidded boxes (pyxides) were probably used in the Islamic world to hold ushnan (alkaline ashes of the soda plant which were used for washing) . A number of these boxes were produced in the Ayyubid and Mamluk periods (thirteenth and early fourteenth centuries), and this work, which has no inscription, is among a few that present Christian images. The body, entirely filled with vegetal scrolls, is divided into eight lobed medallions, each containing a figure. One medallion shows the entry of Christ into Jerusalem astride a donkey; he is accompanied by two men who are about to throw their garments under the animal's hooves and by two others who carry palm branches. Two angels hold a canopy above Christ's head, an image similar to secular throne scenes in contemporary Islamic manuscripts from northern Mesopotamia. In the medallion opposite the Entry into Jerusalem scene, a holy man is depicted frontally: he wears a chasuble, has a long, bifurcated beard, and holds a large cross. The remaining six medallions are occupied either by a figure holding an incense burner, a supplicant, or a monk. Four of these figures look toward Christ, emphasizing the focus of the composition, while the other two flank the holy man and turn toward him. The Virgin and Child with Saint Joseph are seen on the lid.
AMICA Contributor: The Metropolitan Museum of Art
Owner Location: New York, New York
ID Number: 1971.39
Credit Line: Rogers Fund, 1971
Copyright: Copyright ? 2002 The Metropolitan Museum of Art. All rights reserved.
AMICA ID: MMA_.1971.39
AMICA Library Year: 2002
Media Metadata Rights:
Copyright (c) 2002 The Metropolitan Museum of Art. All Rights Reserved
AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.
Copyright © 2007 Cartography Associates.
All rights reserved.