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Creator Nationality: Asian; Far East Asian; Japanese
Creator Name-CRT: Japanese
View: Full View
Creation Start Date: 1667
Creation End Date: 1733
Creation Date: Edo period, late 17th-early 18th century
Creation Place: Japan, Saga Prefecture
Object Type: Decorative Arts and Utilitarian Objects
Classification Term: Ceramics
Materials and Techniques: Porcelain painted with underglaze cobalt blue and overglaze enamels (Arita ware, Nabeshima type)
Dimensions: H. 2 in. (5.1 cm); D. 7 7/8 in. (20 cm)
AMICA Contributor: Asia Society
Owner Location: New York, New York, USA
ID Number: 1979.249
Credit Line: Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection
Context: The rapid development and diversification of the Japanese porcelain industry in the 17th century is one of the most fascinating episodes in the history of ceramics. During this period, the city of Arita, located in the Saga Prefecture in Hizen Province on the southern island of Kyushu, became the largest and most important center for the production of porcelain in the world. Several factors contributed to this development. One was the contribution of the many technically advanced potters brought to Japanfrom Korea during the late 16th-century Japanese invasions of that country. Another was the prohibitive effects of the civil disarray in 17th-century China on its ceramic industry, which led Europeans and other customers in search of highly prized porcelains to turn to Japan.
Many questions remain regarding the development of porcelain in Japan. Traditionally, the discovery of the type of clay needed to produce porcelains has been credited to a potter named Ri Sampei, who was one of the Korean artisansbrought to Japan. Production of porcelains began around 1610 in the Karatsu stoneware kilns located just to the north of Arita. Karatsu wares also reflected the influence of other Korean advances, such as sophisticated types of kilns and kick wheels for throwing.
The first Japanese porcelains were painted with underglaze cobalt blue, known as "old blue-and-white" ware (ko-sumetsuke). But by about 1640, overglaze enamels or a combination of overglaze enamels and underglaze blue--as seen on this dish--were used to decorate porcelains. It is generally accepted that overglaze enamels were introduced to Kyushu from Kyoto rather than from China. One reason for this assumption is the use of a vibrant overglaze blue in both Kyoto ware and Japanese porcelains, a color not found in Chinese ceramics of that period.
The majority of Japanese porcelains are classified as Arita wares, based on the location of their production. Arita wares are traditionally subdivi
Related Document Description: Asia Society. Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection. New York: Asia Society, , p. 108.
Related Document Description: Lee, Sherman E. Asian Art: Selections from the Collection of Mr. and Mrs. John D. Rockefeller 3rd. New York: Asia Society, 1970, pp. 88, 102.
Related Document Description: Meech-Pekarik, Julia. 'Notable Japanese Ceramics.' Apollo (November 1983), p. 438.
Related Document Description: Treasures of Asian Art: Selections from the Mr. and Mrs. John D. Rockefeller 3rd Collection, The Asia Society, New York. Hong Kong and Singapore: Hong Kong Museum of Art and National Museum Singapore, 1993, pp. 176, 177.
Related Document Description: Treasures of Asian Art: Selections from the Mr. and Mrs. John D. Rockefeller 3rd Collection, The Asia Society, New York. Tokyo: Idemitsu Museum of Arts, 1992, pp. 96, 140-41, back cover.
AMICA ID: ASIA.1979.249
AMICA Library Year: 1998
Media Metadata Rights:
Copyright, Asia Society
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