Tiauancho / Poncho / about 600 - 1100Tiauancho
Poncho
about 600 - 1100

View Larger Image

View Full Catalog Record Below



This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library™), a growing online collection of high-quality, digital art images from over 20 museums around the world. www.davidrumsey.com/amica offers subscriptions to this collection, the finest art image database available on the internet. EVERY image has full curatorial text and can be studied in depth by zooming into the smallest details from within the Image Workspace.
 
Preview the AMICA Library™ Public Collection in Luna Browser Now

  • Cultures and time periods represented range from contemporary art, to ancient Greek, Roman, and Egyptian works.
  • Types of works include paintings, drawings, watercolors, sculptures, costumes, jewelry, furniture, prints, photographs, textiles, decorative art, books and manuscripts.

Gain access to this incredible resource through either a monthly or a yearly subscription and search the entire collection from your desktop, compare multiple images side by side and zoom into the minute details of the images. Visit www.davidrumsey.com/amica for more information on the collection, click on the link below the revolving thumbnail to the right, or email us at amica@luna-img.com .



Creator Nationality: South American; Pre-Columbian; Wari; Tiauancho
Creator Role: Artist
Creator Name-CRT: Tiauancho
Title: Poncho
View: front
Creation Start Date: 600
Creation End Date: 1100
Creation Date: about 600 - 1100
Creation Place: South America; Peru
Object Type: Textiles
Classification Term: woven
Materials and Techniques: wool on cotton warp
Dimensions: H.40-3/4 x W.38-3/16 in.
AMICA Contributor: The Minneapolis Institute of Arts
Owner Location: Minneapolis, Minnesota, USA
ID Number: 97.169.2
Credit Line: Gift of George Rickey
Rights: http://www.artsmia.org/restrictions.html
Context:

The aesthetic preferences of the Wari culture favored abstraction and repetition of the design unit but also encouraged individual expression. This tunic is a fine example with its many subtle variations of abstract heads. Because it took so long to create a ceremonial tunic of this type, several weavers would often collaborate on a single piece. On close inspection, their individual styles can be seen in the weave structure as well as the interpretation of the repeating pattern unit.

Before the designers and weavers could begin their work, the skills of several other professionals were required. Animal husbandry specialists bred the animals, probably alpaca, that produced the fine camelid fiber. Applied chemists, working with a surprisingly limited number of plants and insects, created a variety of distinctive, long lasting colors. And finally, highly skilled spinners made a thread so consistent that even our technically advanced machinery cannot duplicate it.


AMICA ID: MIA_.97.169.2
Component Measured: overall
Measurement Unit: in
AMICA Library Year: 1999
Media Metadata Rights: ?The Minneapolis Institute of Arts

AMICA PUBLIC RIGHTS: a) Access to the materials is granted for personal and non-commercial use. b) A full educational license for non-commercial use is available from Cartography Associates at www.davidrumsey.com/amica/institution_subscribe.html c) Licensed users may continue their examination of additional materials provided by Cartography Associates, and d) commercial rights are available from the rights holder.

Home | Subscribe | Preview | Benefits | About | Help | Contact
Copyright © 2007 Cartography Associates.
All rights reserved.